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The late British poet Edward James, a renowned patron of the surrealist movement, had taken the concept of devotion to art to new heights. Known for his eccentric taste and support for surrealist artists, James turned a simple yet intimate moment with his wife, Austrian dancer Tilly Losch, into a permanent feature at his residence, the Monkton House in West Sussex, England.
The incident, interestingly, occurred after Tilly emerged from a bath. James, so deeply captivated by every move of his wife, was struck by the trail of wet footprints she left behind on the stairs. Rather than letting the fleeting moment pass, he decided to transform it into a lasting piece of art.
He arranged to have the wet footprints woven into the very fabric of the house — specifically, the carpet that adorned the stairs. The carpet, a tangible representation of the dancer’s ephemeral journey up the stairs, has become a conversation piece among visitors, art enthusiasts, and those curious about the enigmatic world of surrealists.
The wet footprints, now immortalised in the very fabric of the country home, transcends traditional mediums and expressions. The Monkton House, with its woven memories, stands as a beacon for love that defies the ordinary and embraces the extraordinary.
Reacting to the viral images of the carpet, one netizen posted on Instagram, “Quentin Tarantino vibes,” while another commented, “This is so cute.”
“Just a reminder, if he wanted to, he would,” a third user added.
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